June Issue of Historically Speaking On-line

Randall Stephens

The June issue of Historically Speaking is now up at Project Muse. (We couldn't be more pleased with the terrific work the Muse people are doing. Readers can finally consistently read HS on-line. Scanning back issues is now in the works.)

The June issue includes a lively forum on Charles Joyner's classic Down by the Riverside. It also contains interviews and the usual fare of insightful essays.

In "The Art of History" popular historian Ian Mortimer throws down the gauntlet. Academic historians, in his estimation, don't care all that much about writing, narrating, and dramatic story telling. "Most professional historians do not understand the art of history," he asserts. "Quite what constitutes the 'art' seems to be the problem. Is it originality of thought, a distinct literary voice, innovative writing, sensitivity to public perceptions and assumptions about the past, or clarity of expression? Or something else entirely? Whatever the answer, these suggestions by themselves indicate that some of the activities associated with the 'art' do not figure prominently in university departments. Literary skill is almost always downgraded by academics to a supplementary role—supporting an analytical process but always subordinate to it. Originality is surprisingly rarely valued in academic circles: when it is most clearly displayed, it often proves to be the catalyst for its protagonist to be declared a 'maverick.' No historical departments (as far as I know) encourage their members to be sensitive to public perceptions and assumptions. Few historians have actively explored what drama, suspense, and literary conceits can add to a narrative. Creative writing is never discussed in historical journals, even though it is implicit in the very act of writing something new. All in all, historians seem generally oblivious to the basic fact that when expressing ideas about the past, the way one writes is as important as what one writes."

I disagree with Mortimer about some of these assumptions. Seems too broad a generalization, I think. Still I find it an interesting, provocative take. See Donald A. Yerxa's interview with Mortimer in the June issue for more on the subject.

Historically Speaking (June 2010)

"Two Historians on Defeat in War and Its Causes"
Peter Paret

"U.S. Expansion and the Woman Question, 1870-1929"
Allison Sneider

"Ian Mortimer: Making History More Meaningful to Society"

"The Art of History"
Ian Mortimer

"In Search of New Narrative Frameworks: An Interview with Ian Mortimer"
Conducted by Donald A. Yerxa

"Creolization in and Beyond Charles Joyner’s Down by the Riverside: A South Carolina Slave Community A Panel Discussion"

"Introduction"
David Moltke-Hansen

"Learning from Charles Joyner"
David Hackett Fischer

"The Influence of Down by the Riverside"
Sylvia R. Frey

"Two Journeys: Honoring Charles Joyner"
James Peacock

"Creolization, Decreolization, and Being 'at Home' in the Diaspora"
Stephanie J. Shaw

"Response"
Charles Joyner

"Writing Historical Crime Novels: An Interview with Jenny White"
Conducted by Donald A. Yerxa

"Prince Henry of Portugal and the Sea Route to India"
Anthony Disney

"Faith and the Founding of Virginia"
Lorri Glover

"Letters"
Stanley Sandlar
Vivian R. Gruder

"In Grateful Memory of Max Palevsky, 1924-2010"

Sneakity Peek: Rugs for Pure Style Home!

As I recently mentioned, we're working on getting an online store up & running for Pure Style Home.  It's going to be filled with one-of-a-kind things I absolutely love and want to keep.  (But because I'm not independently wealthy and don't have ten houses, must sell ;)  I am SO INSANELY EXCITED over the rugs we just recently found to be sold in the shop!!  (We were only able to buy 4 to start out with-  rugs are a serious investment- eek!)  All of the rugs chosen are hand-knotted, have an antique washed feel, and I want to keep every single one.  I'm in the process of photographing them and was just too excited not to share with you.  This one is a Mamluk rug, created in the style of rugs produced during the Mamluk Dynasty in 14th Century Egypt.  It's full of golds and browns with splashes of pale blue-green:

It's approximately 8 x 11 and I'm seriously in love,  Here's a close-up:

I'm really not a sales person but have started this venture out of my love for stuff.  Yeah, there I said it, I LOVE STUFF.  But I can't keep it all, and in my job, I see so many beautiful things that it's hard to walk away from them.  It's hard for me to "sell" things to anyone, but if I don't, I'll end up with either a house smashed-full of beautiful things and an empty bank acoount or having to continue to walk away from all of these treasures.  So, the new shop will be my outlet for making these items available to clients & others who love them as much as I do...  a place for my "uncommon finds."  I hope you never feel that posts like this are "salesy" and that I'm trying to push anything on you...  I hope you see it as me being so excited that I want to share things with you because that's truly what it is.

{A bunch of the other items in the photos above will be for sale too, but I'm not sure which ones yet as I'm having trouble parting with them- ha!}

 

I'm adding inventory to the store daily and am trying to get it up and running as quickly as possible.  I'll keep you posted!!  Would love to know what you think of it!!

my dream kitchen

if i could build my dream kitchen i would build one with very few or no upper cabinets.  i like the look of shelving but think i could do without them completely.  while i was browsing through my kitchen inspiration files i realized how many kitchens i have saved that don’t have upper cabinets.

{meg ryan’s home in elle decor}

i love the task lights above the sink in this kitchen.

{elle decor}

so pretty.  this one is neck and neck with my favorite one.

{lonny}

{elle decor}

{elle decor}

{living etc}

{unknown}

{unknown}

and my favorite…

{ellen pompeo’s home in elle decor}

LiveJournal Tags: kitchens,ellen pompeo's home,meg ryan's home

History Book Reviews Reviewed, July/August 2010 edition

Chris Beneke

What follows is the first installment of a semi-regular update on historical reviews in the London Review of Books, The New Republic, The New York Review of Books, and other places that we bothered to look.

Jeffrey Rosen, “Why Brandeis Matters: The Constitution and the Crash” (TNR, July 22) Review of Melvin I. Urofsky, Louis D. Brandeis: A Life (Pantheon)

Writing admiringly of both book and subject, Rosen says that Urofsky’s “definitive,” “masterful” biography of the great supreme court justice is timely given Elena Kagan’s nomination to Brandeis’s Supreme Court seat and the rediscovery by progressives of “the virtues of judicial restraint.” Rosen is confident that Brandeis “would have predicted the crash of 2008.” (The bearish justice would have no doubt still preferred bonds, as he did in the 1920s, rather than credit default swaps on mortgage backed securities.) Rosen details Brandeis’s long-standing critique of concentrated financial power (“the curse of bigness”), his commitment to judicial restraint on most matters but “judicial vigilance” on the especially urgent matter of civil liberties, and his support for Zionism as both a complement to nationalism and a source of intra-national cultural vitality. The 2008 financial crisis figures centrally in this piece and Rosen builds on a distinction of Paul Krugman’s, positing the existence of two historically-informed schools of thought on financial reform: “the Jeffersonian-Brandeisians, who want to break up the big banks and prevent them from engaging in risky behavior, and the Hamiltonian neo-New Dealers, who prefer top-down government regulation.” Rosen suggests that the Jeffersonian-Brandeisians (like Paul Volcker) have gotten it right, but the Hamiltonian-New Dealers (like Lawrence Summers and Timothy Geithner) have gotten the votes. Urofsky’s biography is itself quite big. Given its hefty 955 page count, you might want to read Rosen’s longish review before taking the plunge. Or maybe even wait for Rosen’s own forthcoming book on Brandeis.

Anthony Grafton, “A Jewel of a Thousand Facets” (NYRB, June 24) Review of Lynn Hunt, Margaret C. Jacob, and Wijnand Mijnhardt, The Book That Changed Europe: Picart and Bernard’s Religious Ceremonies of the World (Belknap/Harvard); and, Hunt, Jacob, and Mijnhardt, eds., Bernard Picart and the First Global Vision of Religion (Getty Research Institute)

The two books reviewed here might be a good complement to Stephen Prothero’s hot-selling God is Not One (not mentioned by Grafton). Prothero’s conclusion that the world’s religion’s do not much converge is today’s contrarian position. That wasn’t the case in Bernard and Picart’s time. Grafton observes that the emphasis on the similarity of the world’s faiths was a subversive stance in the late seventeenth and early eighteenth centuries. Also subversive in that period: dense, weighty compilations of global knowledge like Religious Ceremonies of the World, and chatty, “ironic” footnote commentary on “orthodox inanities.” By detailing (in both print and image) the nuances of religions across the globe and by comparing the common forces underlying their different practices, Bernard and Picart injected sociological and anthropological substance into enlightened appeals for toleration. Though wondering what contemporary readers thought of Bernard and Picart’s Religious Ceremonies, Grafton is impressed by the collaborative, interdisciplinary effort that went into this two-volume project. He concludes that the authors “have done justice to a great work of eighteenth-century humanistic learning. And they have shown us some of the directions in which humanistic scholarship should move in generations to come: not only away from older narratives of intellectual change, but toward new models in which books and digital media, grand accounts and detailed inquiries shed light on one another.”

Bee Wilson, “Stuck with Your Own Face” (LRB, July 8) Review of Geoffrey Jones, Beauty Imagined: A History of the Global Beauty Industry (Oxford)

Beauty trends may rise and fall, but the beauty industry only rises. In 1916, roughly “four fifths of Americans used neither toothpaste nor shampoo, never mind mosturiser or deodorant, lipstick or hair gel.” Today, “[c]onsumers around the world spend ‘$330 billion a year on fragrances, cosmetics and toiletries’.” Scent was the first sense to be addressed by the broadly conceived category of beauty products. Salvaging the body from early modern street odors was not an easy job. Perfume helped. By the mid-nineteenth century, this early beauty product was sold in mass, factory-produced quantities, along with “‘the first factory-made, non-toxic mascara’.” Over time, manufacturers moved away from beauty products that poisoned their users and toward products adapted to the visual revelations of electric light. They also went global with products, such as skin-lightening creams, that changed or reinforced prevailing conceptions of race and personal attractiveness. The greatest of the beauty industry’s innovations, according to Wilson, may have been lipstick. It’s legitimation “over just a few decades [in the twentieth century] must have brought about one of the biggest changes to the appearance of the Western female body in history.” Wilson is generally pleased with the data that Jones offers. She is less impressed with his grasp of the “artifice” that has gone into the sale of these high-margin products with often questionable claims to effectiveness.

The Tempel Lipizzan Legacy

A few miles from my dad's lake house (where we're visiting now) are the Tempel Lipizzan Stables which house Lipizzans, Europe's oldest domesticated horses, owned by the Tempel Smith family (of Tempel Steel).  The grounds are incredible and we love going to see the shows.

 

{The Stables}

According to Lippizan.com, "Lipizzans are Europe's oldest domesticated breed of horse. They not only possess beauty and nobility, but also a rare combination of courage, strength, ability, temperament, and intelligence.

The Lipizzan breed had its beginning in 1580"... and was created by a combination of different breeds... They have been moved throughout the past 400 years numerous times to survive various wars including the Napoleanic Wars, and World Wars I & II.  "In 1945 General patton executed a daring rescue of the Lippizzans, the story of which is told in Disney's The Miracle of the White Stallions."

{photo of a photo I saw in the stables}

"In 1955, millionaire Tempel Smith (Tempel Steel) of Chicago, imported 20 Lipizzans from Austria, 11 from Hungary, and 6 from Yugoslavia..."

{Me creepily taking photos of one of the riders who was resting between performances...  he totally caught me- oops!}

..."Tempel Smith devoted 15 years, until his death in 1980, importing and breeding his herd to over 400 horses. Since Tempel Smith's death, much of the herd was disbursed. However, Tempel Farms still breeds a number of Lipizzans each year, and they still successfully compete Lipizzans for Tempel Farms."

 

{The Show...  The woman above was so beautiful & poised...  exactly what you would imagine. }

This year, the weather was perfect when we took Christian & Justin to see the show.  The horses are just incredible:

I can't believe how high they jump!!!

The boys had so much fun and even 7-month-old Justin was into it...

 

 {I loved this photo from the stables}

And Christian loved the old "fire truck"- 

I'm apey over the Guest House, which sits high up on a hill overlooking the grounds:

 

It can be rented for private events and there's a pool in the back:

  

... which overlooks this:

 

And the stables house some of the best design I've ever seen:

The hallway was gorgeous. 

 

They've kept everything as it was in the 50s:

Check out the heat lamps the horses use when being bathed:

...And of course I can't see all of this and not start to think about interiors.  Oh my gosh, please someone call me with a horse fetish!!!  (err passion ;)  I'm dying to do a home for a horse-lover now!!

  Check out these photos taken by Roger Davies for Elle Decor of Mark Badgley and James Mishcka’s home:  Mmmmmm.. love it!

 And this one from Nuevo Estilo Magazine via La Dolce Vita:

(I can't help but get a little bit excited for Fall when looking at all of these images but I'm holding it back because Summer's still in full force.)  

And one last picture of the horses as we drove by another day on the way home to the house...  You can see them right on Hunt Club Road: 

  

{The Tempel Lipizzans}

If you're still in the mood for horse-inspired interiors, definitely check out these 2 posts full of equestrian eye candy:  (so gorgeous!!!)

Chic Equestrian Style in Home Decor by Simplified Bee
Equestrian Chic by La Dolce Vita

Hobby Lobby Oxford 7/27/10

We painted a Snowman on a wood plaque (Terrye French pattern) They did a great job on these!

market: part 2 and a winner

we have a winner!!!  congrats to jan from the life of a future domestic goddess.  looks like she’s well on her way to getting the new duvet that she wants with her new $60 credit from CSNstores. 

thanks so much to all of you who entered the giveaway.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

market: part 2

i started sharing some of my pictures from my trip to the atlanta market yesterday, and i’m going to continue with some more today.

roost steals my heart every show.  all of their pieces have so much detail.  catalog images don’t do them justice most of the time, so it’s so nice to get to see them in person a few times a year.  felt was a big theme in the roost showroom this year and i was loving it.

sea life is very hot right now so bliss studio was dead on with their showroom.  they got my vote for the most inspiring showroom color scheme.  the blue and orange was beautiful.

vintage, vintage, vintage.  it was vintage heaven at vagabond vintage.

studio a is a new line carried by the southern accessories today rep group.  the recycled bamboo knot furniture pieces were so unique.

and the showroom where i saw my favorite piece of the whole market pretty much stole the show.  regina andrew.

 

and that’s about it for this market.  there were plenty of other showrooms that i visited, but i either forgot to get photos of them or my photos didn’t turn out well. 

hope you all enjoyed my little virtual walk-thru.

LiveJournal Tags: giveaway,atlanta market,vagabond vintage,bliss studio,regina andrew,studio a,roost